How to write in Obsidian for a fun, clean, distraction-free experience
Based on Linking Your Thinking with Nick Milo's video on YouTube. If you like this content, support the original creators by watching, liking and subscribing to their content.
Anya A.S Renner keeps a distraction-free workspace by maintaining only three top-level folders in Obsidian: non-fiction, templates, and fiction.
Briefing
A fiction and non-fiction writer uses Obsidian to build a “clean room” workspace—minimal folders, a single home note per project, and emoji-based organization—so ideas can flow without the clutter that often derails writing. The core move is reducing her folder structure down to three top-level areas (non-fiction, templates, and fiction), then relying on project-specific home notes and consistent emoji tags to keep everything findable while staying visually calm.
Anya A.S Renner frames her biggest need as sense making: writing works best when she can connect words, people, and concepts deeply rather than just collecting other people’s ideas. That focus matters because she previously struggled with non-fiction, feeling like an “imposter” when her work leaned too heavily on others’ thoughts. Obsidian’s linking helps her go deeper into topics and generate original connections that can be carried into her writing.
Her second major pain point is the “mental squeeze” that hits during novel work. Novels require juggling character backstories, locations, and many strands of information, and she often gets overwhelmed. Mind maps and MOCs (maps of content) help her regain a single, coherent view—especially when she returns after breaks—while links also support her ability to stay in flow during drafting.
To protect that flow, she designs her workspace around control and cleanliness. Early on, she kept folders aligned to her writing process (sources, articles, her own thoughts, and separate structures for each novel). In Unit 4, she “took the leap” to simplify: only three folders remain at the top level. Within fiction, each novel gets its own home note, and every note inside that project uses a consistent emoji (for example, a coffee cup emoji for “Coffee Death and Cigarettes”). This creates an at-a-glance system where the home note acts like a dashboard for the project.
Daily work starts from that clean entry point. She keeps daily tasks in the home note, then writes quickly—adding new notes for ideas, links, or questions as they arrive. At the end of the day, she maintains the clean space by moving accumulated notes into their proper locations. She also avoids “dumping” content by periodically returning to a random note and revisiting what she saved, so nothing becomes orphaned.
She supplements the system with a handwritten-to-digital loop: each day she reviews the previous day’s handwritten notes and transfers what matters into Obsidian. For navigation and verification, she uses search and the Graph view to spot connections—particularly between the separate clusters of novel projects and the larger non-fiction knowledge base. Even with the simplified structure, she keeps enough scaffolding (templates, project note types like diaries and scenes, and emoji conventions) that she can scale back to folders if needed. After only a couple of weeks, she reports that she can find what she needs and keep the workspace distraction-free while still building links and deleting or reorganizing as her system evolves.
Cornell Notes
Anya A.S Renner builds a distraction-free Obsidian setup by shrinking her folder structure to three top-level areas and organizing writing through project-specific home notes plus consistent emoji markers. She uses linking and MOCs to handle the complexity of novels, especially when returning after breaks, and to support her core goal of sense making. Daily work begins from a “clean space” home note with tasks, then new ideas are captured quickly and sorted at day’s end to keep the interface uncluttered. She also transfers insights from handwritten notes into Obsidian and uses search and Graph view to find connections between her separate novel projects and her larger non-fiction knowledge base.
How does Anya A.S Renner keep Obsidian visually clean without losing organization?
Why do links and MOCs matter in her workflow, especially for novels?
What problem does she associate with her earlier non-fiction writing, and how does Obsidian address it?
What daily routine keeps her system from turning into a dumping ground?
How does she integrate handwritten thinking with Obsidian?
How does she verify structure and discover connections over time?
Review Questions
- If you had to reduce your folder structure to three top-level areas, what would you keep in each category and what would you move into project home notes?
- How would you design an emoji-based system so it stays consistent across scenes, diary entries, and questions without becoming confusing?
- What routine would you use to prevent end-of-day note “dumping” while still keeping a distraction-free writing start point?
Key Points
- 1
Anya A.S Renner keeps a distraction-free workspace by maintaining only three top-level folders in Obsidian: non-fiction, templates, and fiction.
- 2
Project-specific home notes act as dashboards, and consistent emoji markers (one per novel) make notes easy to identify at a glance.
- 3
MOCs and linking help manage novel complexity by letting her regain a single, coherent view—especially after breaks.
- 4
A daily workflow starts from the home note, captures ideas quickly, and then clears the clean space at day’s end by moving notes into their correct locations.
- 5
She avoids orphaned notes by periodically revisiting random notes and by using search and Graph view to find connections.
- 6
Handwritten notes feed into Obsidian through a daily review-and-transfer step, keeping offline capture and digital structure aligned.
- 7
Even after simplifying folders, she retains enough scaffolding (templates and note types like diaries/scenes/questions) to scale back or reorganize if needed.