My Favorite Tools For Writing 🖌️
Based on Mariana Vieira's video on YouTube. If you like this content, support the original creators by watching, liking and subscribing to their content.
Set a maximum word count early, then use it to drive beat planning and pacing rather than treating length as an afterthought.
Briefing
Daily writing starts with a familiar default—Microsoft Word—but the real leverage comes earlier, during drafting and plotting, when structure and organization determine whether ideas turn into a coherent manuscript. For traditional publishing in particular, the workflow is built around a target word count from the outset, because many agents request submissions in Word format and because pacing and length have to land within specific limits.
The process begins in a “novel notebook,” a free-form space for dumping ideas: character sketches, pitches, concepts, settings, and even the logic of a magic system. Instead of forcing plot to make immediate sense, the notebook prioritizes world-building and connections among story elements, so later drafting can insert plot events into a compelling background. Once the writer settles on genre and age category, the maximum word count becomes the organizing constraint that drives the next step.
That constraint feeds into a beat-sheet generator (a free framework) that produces a customizable template based on major story milestones—opening image, theme, break into two, All Is Lost, and other key turning points. The generator outputs a beat map that can be printed or kept digitally, ensuring the story follows a clear emotional arc. From there, a master Excel spreadsheet becomes the “plot point tracker,” especially helpful for a writer who tends to draft as they go and then feels lost. The spreadsheet template (downloadable from Jericho Riders) automatically calculates when to switch between beats based on the target word count, and it can be expanded with columns for scene breakdowns, character involvement, consequences, and conditional formatting to flag pacing or underdeveloped scenes.
To visualize structure, the workflow pairs Excel with Plotter, an app that uses drag-and-drop digital note cards on a virtual storyboard. Each card can store scene details—synopsis, setting, character involvement, and more—while arrows and rearrangement make cause-and-effect relationships and plot progression easier to see. For writers who want a more centralized system, Scrivener acts like a binder: chapters, scenes, research notes, and character profiles live as separate documents that can be compiled into a formatted manuscript export. Scrivener also includes corkboard-style drag-and-drop organization, hierarchical outlining with collapsible sections, and split-screen editing for comparing draft versions or cross-referencing research while writing.
Accountability is handled through a calendar-based writing schedule: at least one hour per day, split into two chunks (morning and evening), regardless of word count. When drafts are complete, Scrivener compilation exports a nicely formatted document—often double-spaced and already query-ready—so editing can continue in Microsoft Word, where page count and length are easy to verify.
Finally, the productivity push extends beyond tools into learning, with Skillshare promoted as a platform for creative classes and learning paths, including a short fiction track built around exercises and community feedback. A one-month free trial is offered to the first 500 users via a link in the description.
Cornell Notes
The workflow prioritizes traditional-publishing constraints by setting a maximum word count early and using that number to drive plotting, pacing, and scene planning. A free beat-sheet generator turns major story milestones into a beat map, which then feeds an Excel plot-point tracker that automatically calculates when to shift between beats. Plotter adds a visual layer by letting scenes move as drag-and-drop note cards on a storyboard, making cause-and-effect and pacing easier to manage. Scrivener serves as the central writing hub—binder-style organization for chapters, scenes, research, and character profiles—then compiles everything into a formatted, query-ready manuscript export. Daily output is supported by a fixed calendar schedule (one hour split into two writing blocks), and editing continues in Microsoft Word after export.
How does the workflow keep plotting aligned with traditional publishing expectations?
What role does the beat-sheet generator play after the writer collects raw ideas?
Why combine Excel with Plotter instead of relying on one planning tool?
How does Scrivener’s “binder” approach change day-to-day drafting and revision?
What accountability mechanism supports consistent drafting output?
Review Questions
- What are the inputs and outputs of the beat-sheet generator in this workflow, and how do they connect to pacing?
- How do Excel and Plotter each contribute to managing scenes, and what specific problems does conditional formatting or drag-and-drop visualization help solve?
- When drafting is finished, what does Scrivener compilation do for formatting, and why does the workflow then move into Microsoft Word for edits?
Key Points
- 1
Set a maximum word count early, then use it to drive beat planning and pacing rather than treating length as an afterthought.
- 2
Capture raw ideas and world-building in a free-form notebook before forcing plot logic into place.
- 3
Use a beat-sheet generator to translate major story milestones into a beat map tied to word count or page count.
- 4
Maintain a master Excel plot-point tracker that calculates beat transitions and flags pacing or development gaps with conditional formatting.
- 5
Use Plotter to visualize and rearrange scene order with drag-and-drop note cards, including cause-and-effect links.
- 6
Draft and organize in Scrivener as a binder of separate documents (chapters, scenes, research, character profiles), then compile into a formatted, query-ready manuscript.
- 7
Lock in daily writing time with calendar blocks (one hour split into two sessions) to reduce decision fatigue and keep momentum.